2020 has been a singularly challenging year. Artists, as always, continue to seek reprieve and triumph over obstacle and tragedy in the expression, translation and embodiment of feeling into object. We continue to make the unseen seen, to manifest form through the mastery of materiality, form that cannot be spoken in any other language, seen in any other light.
There is an immense pool of talent whose voices are diminished, if not muted, because of a lack of resource and connectivity to a secluded, exclusive, and unregulated market driven by the knowledge of no artistic or learned authority but by the tastes of the generally uneducated, gambling rich.
The Latin origins of the word monster, monere/monstrum, mean to portend and instruct. A monster’s instructive function is abundant within the span of Western mythos: do not be, do, go near, or engage. Interaction with this other is a form of becoming.