Sunstone, An Exhibition

*Aleah Chapin *Amber Hany *Alan Macdonald *Alannah Farrell *Angela Fraleigh *Angela Gram*Anna Mond *Anthony White *Ben Howe *Brandi Twilley *Buket Savci *Christina Duarte *Corinne Beardsley *Daniel Maidman *Eric Mavko *Eric Wert *Hannah Murray *Heidi Elbers *Jamie Martinez *Jacob Hicks* Jessica Damsky *Jiannan Wu *Kaitlyn Stubbs *Kiley Ames *Kristin Kwan *Margaret McCann *Mariano Ching *Meg Franklin *Melanie Vote *Michelle Doll *Miguel Carter-Fisher *Nehemiah Cisneros *Rob Plater *Susannah Martin *Sui Park *Vini Nascimento *Zachari Logan

Sunstone is a silicate mineral occurring in igneous, a type of rock formed of molten material. Mineral platelet positioning within sunstone creates aventurescence, a phenomena of visual radiance, a sparkle. The platelet orientation and density within influences the perceived hue of the stone, forming a radiant topology.

2020 has been a singularly challenging year. Artists, as always, continue to seek reprieve and triumph over obstacle and tragedy in the expression, translation and embodiment of feeling into object. We continue to make the unseen seen, to manifest form through the transformation of materiality. We give life to the most remote elements of the unconscious. The muse ignites us and is like the metallic glitter scattering through igneous rock. Dazzling, short lived, but birthed by every angle, every new challenge, it is a radiance inside the artist like inside the sunstone that prolongs us, that carries us forward.

Thank you to all who submitted work, more generally, thank you to every artist. The work you do is fundamental and courageous.

Click work to expand.

Vini Naso, The Raven, digital, 30 x 40 in

Website: Vini Nascimento,

Instagram: @vininaso

Anthony White, Exposure Control, pla on panel, 36 x 36 in

Website: Anthony White

Instagram: @culturalcrisis

Jessica Damsky, Carnal Garden, oil on panel, 16 x 12 in

Website: Jessica Damsky

Instagram: @jessicadamsky

Susannah Martin, Bavaria, oil on canvas, 170 x 240 cm

Website: Susannah Martin

Instagram: @susannah_martin

Buket Savci, Brooklyn Happening, oil on canvas, 28 x 46 in

Website: Buket Savci

Instagram: @buketsavci

Zachari Logan, Esta Selva Selvaggia, Installation, Collateral Project of the 58th Venice Biennale Thetis Foundation, pastel on black paper, 59 x 288 in

Website: Zachari Logan

Instagram: @zachari_logan

Angela Gram, Transfigured Night, oil on linen, 50 x 60 in

Website: Angela Gram

Instagram: @angelagramart

Margaret McCann, Freudian Still Life, oil on linen, 24 x 30 in

Website: Margaret McCann

Instagram: @margaret_mccann_art

Meg Franklin, Waterfall Night, velvet, wood, foam, rocks, pins, glue, 16 x 11 x 6 in

Website: Meg Franklin

Instagram: @gabooldra)

Alan Macdonald, The Temple of Reason, oil on linen, 70 x 80 in

Website: Alan Macdonald

Instgram: @alanmacdonaldart

Anna Mond, The Milkmaid, After Vermeer, acrylic on canvas, 50 x 40 cm

Website: Anna Mond

Instagram: @annamond

Hannah Murray, Hearts of Gold, oil on canvas, 46 x 36 in

Website: Hannah Murray

Instagram: @hannah_murray_artist

Kristin Kwan, Tiger, Tiger, oil on panel, 11 x 14 in

Website: Kristin Kwan

Instagram: @kristinkwanart

Eric Mavko, Vulture, mixed media on canvas, 50 x 32 in

Website: Eric Mavko

Instagram: @emavko

Alannah Farrell, Midsummer Night 2nd Street, oil on canvas, 60 x 36 in

Website: Alannah Farrell

Instagram: @alannah.farrell.studio

Kaitlyn Stubbs, September 15, 2020, oil on canvas, 9 x 12 in

Website: Kaitlyn Stubbs

Jacob Hicks, Tribute to Toni Morrison, oil on panel, 24 x 32 in

Website: Jacob Hicks

Instagram: @jacob_hicks_studio

Corinne Beardsley, Missing Touch, The Companion Series, video

Website: Corinne Beardsley

Instagram:@corinnebeardsley

Nehemiah Cisneros, Playfully Serious, acrylic on canvas, 60 x 84 in

Website: Nehemiah Cisneros

Instagram: @nehemiahcisneros

Eric Wert, Nimbus, oil on canvas, 60 x 48 in

Website: Eric Wert

Instagram: @ericwert33

Daniel Maidman, Tanya, The Pond, Morning, colored pencil on paper, 15 x 11 in

Instagram: @danielmaidman

Christina Duarte, Venus with Usagi, oil on canvas, 18 x 26 in

Website: Christina Duarte

Instagram: @cmdoart

Rob Plater, Awkward Imitation, ink on paper,  8 x 10 in

Website: Rob Plater

Instagram: @tmoplater

Angela Fraleigh, Our World Swells Like Dawn When the Sun Licks the Water, oil & acrylic on canvas, 90 x 198 in

Website: Angela Fraleigh

Mariano Ching, Float In Rainbow, oil on canvas, 60 x 60 in

Website: ariano Ching

Instagram: @bangawsabaw

Kiley Ames, A Story of Beauty and Blindness, oil on linen, 80 x 50 in

Website: Kiley Ames

Instagram: @Kiley Ames 

Jiannan Wu, Trilogy Ⅱ, Acrylic on resin, wood, 8 x 10 x 3.4 in

Website: Jiannan Wu

Instagram: @jiannan_wu

Heidi Elbers, Swampland, oil on paper, 14 x 11 in

Website: Heidi Elbers

Instagram: @heidielbers

Miguel Carter-Fisher, Aparna Feeding Violet, charcoal on toned paper, 15 x 23 in

Website: Miguel Carter-Fisher

Instagram: @MiguelCFstudio

Melanie Vote, Recumbent, oil on paper on panel, 9 x 12 in

Website: Melanie Vote

Instagram: @melanievotestudio

Brandi Twilley, Summer Morning, oil on canvas, 14 x 26 in

Website: Brandi Twilley

Instagram: @branditwilley

Michelle Doll, Family (MF2 Micro), oil on panel, 10 x 13.25 in

Website: Michelle Doll

Instagram: @michellelynndoll

Sui Park, Keyhole, black cable ties, 59 x 24 x 4.5 (H) in

Website: Sui Park

Instagram: @park.sui

Amber Hany, A Portrait of my Kitchen Window, digital painting, 2100 x 2800 px

Website: Amber Hany

Instagram: @amberhany_art

Ben Howe, Dream, oil on canvas, 122 x 160 cm

Instagram: @benhoweart

Jamie Martinez, Metamorphosing Into an Octopus, paint, spell, marker and scratches on clay, 9 in round

Website: Jamie Martinez

Instagram: @triangulism

Aleah Chapin, Deborah, oil on panel, 20 x 30 in, courtesy of the artist and Flowers Gallery, New York/London/Hong Kong 

Website: Aleah Chapin

Instagram: @aleah_chapin

Sui Park in Conversation with Jacob Hicks

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Sprout, 2

I have followed Sui Park’s intricate and beautiful sculptural works for the last several years after meeting her through an artist residency at Brooklyn Art Space. Her art contains something intimate though expansive; it is filled with the force of geometry and nature, little small truth’s obsessive repetition that insists until a collective simplicity becomes god-like, like a pedal to a flower, a leaf to the tree.

How did you begin making your sculptural structures?  What relationship does the work have to traditional female handcraft, to the spider?

I apply traditional weaving or basketry methods to create contemporary art forms that incapsulate my sentiments and values. My background is in fiber art and interior architecture. With fiber artwork I always try to create a perspectival view. My main interior architectural work attempted to augment traditional space with organic forms through methods and materials largely used in fiber art. I think I combine the two pretty well. I always wish I had eight hands, but I’d never be as good as any spider!

flow-2015-1
Flow, 2015

Do you ever recreate biological geometry, or are your forms improvised?

I think my work lies in between. Each of my pieces follow a process of sketching to structuring. Most of the emphasis is on creating forms that encapsulate a theme. Finding a right match between the form and the theme is always difficult. Some works are intuitive, while some are delayed.

I see these little entities as thoughts on a micro world, do you?  Are the forms more about life or structure, about space or soul?

I don’t think I have any intention of making forms from the micro world. I follow my materials and my work is about capturing and representing a moment of change. I think about the structures and space creating ambiance and sentiment.

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Bloom, 2015


If you were one of the objects you make, would you be large or small, living or not?

That is a good question and also a difficult one. I think each piece has a little bit of me within it, like how I know someone else’s song, book, or artwork without knowing the author’s name.

Who and what influences you…art, music, literature, biology, etc…?

I admire the architect Peter Zumthor’s work. To quote him: “Architecture is not about form, it is about many other things. The light and the use, and the structure, and the shadow, the smell and so on. I think form is the easiest to control, it can be done at the end.”

I learn from his masterpieces how he has perfected the expression of his own remarkable character. His work helps me figure out how I can bring out “mine.”

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Cell I and II, 2014

The material of making is readily available and inexpensive plastic, is this due to formal or conceptual concerns?

Cable ties and monofilaments are the two materials that I mostly use these days. They are mass produced industrial materials that are relatively inexpensive and easy to find. However, they seem to do lot of things for my work. They have flexibility, which is effective in creating curvatures and allows me to easily fabricate the shape I want. They also have enough durability and strength to hold the structure that I want.

It may be ironic to create organic forms and represent our changing sentiments with artificial and mass produced plastic materials, but I think the irony is well preserved and blended into my work, creating illusionary or mystical ambience.

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Shell, 2011

How important is the location of exhibition to the work?

Different factors can change how my work is perceived, and location is certainly one of them. Rather than trying to control the location to bring out my best work, I try to find a matching environment and bring out the best of the environment. I like how my work is perceived differently in various environments. Sometimes it’s less than what I expect, but sometimes it surprises and amazes me; I think that’s one of the reasons I enjoy site-specific installations so much.

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Mostly Cloudy, 2015

Do you have any upcoming exhibitions or projects you would like to share?

I have a three-person show scheduled at the Catskill Art Society in Livingstone, New York in March. I plan to introduce my new 2-dimensional cable tie series “Portrait.” I’m also exhibiting my large 3-dimensional works in a group show “Dismantle the Core” at Elaine L Jacob Gallery, Wayne State University in Michigan over the summer, and throughout the 2017 Sculpture X Symposium.