Sans Marco is a repurposed bedroom dressed as white cube venue in the back of artist Joey Frank’s apartment. The irregularity of the space is an aside to encountering the art of Colin Oulighan, whose focused and intelligent paintings sing in this context.
According to Jungian theory, the presence of a house in dreams is an archetypal representative of a return to our first house, the womb, and the way it reveals itself to us informs our understanding of the human psyche.
“I have always inserted the male body into the realm of observed passivity, a placement that as you rightly mention is all too often reserved for the female body.”
With the realization that his skills could be used to make a deeper connection, Steger began to make non-utilitarian objects under the mentorship of assemblage artist Raymond Barnhart.
Martin constructs surrealistic dystopian visions of an abrupt reintegration of exotic animal life into the ruins of industrialization.
There is an immense pool of talent whose voices are diminished, if not muted, because of a lack of resource and connectivity to a secluded, exclusive, and unregulated market driven by the knowledge of no artistic or learned authority but by the tastes of the generally uneducated, gambling rich.
The Latin origins of the word monster, monere/monstrum, mean to portend and instruct. A monster’s instructive function is abundant within the span of Western mythos: do not be, do, go near, or engage. Interaction with this other is a form of becoming.