The art of Aron Wiesenfeld has a particular and peculiar relationship to the microscope. The visual field of his images, sometimes given from an ariel perspective (the all-seeing eye/the third-person omniscient), allows the removed observer to glimpse a hermetic totality vibrating with atmosphere, energy, myth, temporality, the suburban familiar, and many liminal transitions, e.g. nature and architecture, night and day, mystery and commonplace, magic and realism.